Confira no Super Guia Music Non Stop rolês para afastar qualquer zica desta sexta-feira, 13! Vai rolar Jup do Bairro no Studio SP, IZA na cidade maravilhosa, o retorno do Teatro Mágico após hiato, Kiko Dinucci na Casa de Francisca, shows na Casa Natura Musical e até um fervo de eletrônica em Recife, olha que coisa linda! Aproveita, curte e manda pra longe essa energia ruim
TRIBALTECH
Após 2 anos de hiato, devido aos efeitos da pandemia, um dos maiores festivais de música do país está volta: a TRIBALTECH (TT) neste sábado, 14 de maio, o evento vai acontecer na cidade de Piraquara, na região metropolitana de Curitiba (PR), com uma ambientação inédita e curadoria musical de excelência, abraçando vários estilos musicais e evidenciado a marca de festival mais eclético do Brasil.
Consolidado como uma das mais importantes celebrações nacionais à música, a TRIBALTECH marcou gerações e fez seu nome ecoar por todos os cantos do país, se tornando uma referência nacional com uma combinação perfeita que mescla som de qualidade, estrutura de excelência e uma atmosfera voltada a imersão visual como diferencial.
a TRIBALTECH vai contar com 9 palcos posicionados em um espaço completamente ao ar livre, com 150.000 m2 de área verde. Outro grande destaque do evento ficará por conta de um inédito palco de Jazz, que chega para somar aos já tradicionais estilos do festival como Rap, Black Music, Break Beat, Drum & Bass, Soul, Samba, Pop, Rock e brasilidades, além, logicamente, da música eletrônica.
Os ingressos estão disponíveis no site www.ingresse.com. Mais informações no site www.tribaltech.com.br e no perfil oficial do evento no Instagram (@tribaltechofficial).
TIM Music Rio
Com a promessa de lotar novamente a praia de Copacabana, um dos principais cartões postais do Rio de Janeiro, o TIM Music Rio chega ao seu último fim de semana de apresentações. O evento, considerado o maior festival gratuito de música do Brasil, terá seus últimos shows nos dias 14 e 15 de maio, entre 16h e 20h, presenteando cariocas e turistas com apresentações que refletem a pluralidade e a efervescência da nova cena da música brasileira.
No dia 14, será a vez de Criolo invadir a praia e apresentar canções de seu novo disco, ‘Sobre Viver”, além de sucessos da carreira, convidando ainda para o palco a cantora Liniker, com um show potente e repleto de simbolismos. Quem encerra o festival, no dia 15, é a cantora IZA, que também é embaixadora da TIM, com um show que promete elevar a temperatura de Copacabana.
Serviço
Local: Praia de Copacabana, posto 4, em frente à rua Constante Ramos
14/05 (sábado)
Show: CRIOLO E LINIKER
Festa: Segue o Baile, com Zé Ricardo
15/05 (domingo)
Show: IZA
Festa: A Lei Natural dos Encontros, com Lucio Mauro Filho e Pedro Baby
Horário: entre 16h e 20h
IZA – foto divulgação
Teatro Mágico
Nos próximos dias 13, 14 e 15 de maio, o picadeiro do Circo Crescer e Viver será palco do lançamento de Luzente, o novo álbum do grupo O Teatro Mágico. Com a trupe completa, Fernando Anitelli apresentará show unindo música, poesia, malabarismos, números acrobáticos e muita interação com a plateia. Luzente rompe um hiato de 5 anos e inaugura uma nova era para O Teatro Mágico, com uma sonoridade mais pop, moderna e dançante.
SERVIÇO:
Data: 13, 14 e 15 de maio (sexta a domingo)
Local: Circo Crescer e Viver (Rua Carmo Neto, 143 – Cidade Nova)
Horário: 20 horas (sexta e sábado)/ 17 horas (domingo)
Abertura dos portões: 1 hora antes
Duração: 120 minutos
Classificação: 14 anos. Menores só entram acompanhados dos responsáveis legais.
Ingressos: Sympla
Valores 2º lote: R＄ 80 (inteira) / R＄ 40 (meia)
Fernando Anitelli, O Teatro Mágico. Foto Filipe Nevares
Kiko Dinucci
O compositor Kiko Dinucci apresenta ao público da Casa de Francisca seu premiado álbum solo, Rastilho, gravado apenas com violão. Focado nas possibilidades percussivas do instrumento, Kiko Dinucci traz uma abordagem baseada em características melódicas e rítmicas com influências que vão do violão de Baden Powell às linhas melódicas do guembri marroquino. As apresentações acontecem na próxima quarta e quinta-feira, dias 18 e 19 de maio a partir das 21h30.
Exposição
Fotógrafo carioca, filho de pai negro e mãe branca – ambos paraenses –, Walter Firmo teve seus mais de 70 anos de carreira dedicados a registrar o povo negro no Brasil. Explorando tons saturados e cores vibrantes no seu trabalho, Firmo retratou desde ícones da música afrobrasileira, como Dona Ivone Lara, Pixinguinha, Ismael Silva e outros, quanto documentou as manifestações de festas populares não-brancas em território brasileiro, como o Carnaval no Rio de Janeiro, o Dia de Iemanjá em Salvador, a Festa do Bumba Meu Boi em São Luís e o Círio de Nazaré em Belém. Em contraste com as cores pelas quais ficou conhecido, a exposição também traz um andar só com fotos em P&B do fotógrafo, muitas delas inéditas.
WALTER FIRMO – no verbo do silêncio a síntese do grito
Entrada gratuita
30/4 a 11/9/2022
Terça a domingo e feriados (exceto segunda) das 10h às 20h. Última admissão: 30 minutos antes do encerramento.
IMS Paulista
Galeria 3 – 8º andar
Avenida Paulista, 2424, São Paulo
Casa Natura Musical
Neste Sábado, dia 14, a cantora Alessandra Leão se apresenta na Casa Natura Musical para show do álbum ACESA, produzido e arranjado por ela e pelo produtor musical Caê Rolfsen, com quem também lançou “Macumbas e Catimbós”, indicado ao Grammy Latino 2019. A apresentação conta com a participação de JosyAra e também a participação especial de Odete de Pilar pela primeira vez em SP.
Alessandra Leão | ACESA
Data: 14.05.2022, sábado
Horário: 22h
Abertura da Casa: 20h30
Classificação: 16 anos
Casa Natura Musical Rua Artur de Azevedo 2134 – Pinheiros, São Paulo
Alessandra Leão. Foto reprodução Facebook
Bloco do Silva no RJ
Depois de dois anos de hiato, o projeto Bloco do Silva, do cantor capixaba Silva, nasceu da vontade do artista em interpretar repertório especial de Carnaval, misturando canções autorais e clássicos dos anos 90. Uma nova edição acontece no Rio de Janeiro neste sábado, dia 14 de maio.
Serviço
Data: 14 de maio (sábado)
Local: NAU Cidades – Av. Prof. Pereira Reis, 36 – Santo Cristo, Rio de Janeiro – RJ
Horário abertura dos portões: 20h
Vendas: Sympla
Valores: R＄ 150 (5º lote)
Classificação: 18 anos
Bloco do Silva. Foto divulgação
Exposição-manifesto
A exposição-manifesto Cartas ao Mundo, inspirada na obra de Glauber Rocha, modifica-se diariamente, várias vezes ao dia, com suportes singulares, filmes, performances e cortejos na Avenida Paulista até o dia 29 de maio, totalmente gratuito.
A mostra modifica-se diariamente, várias vezes ao dia, e tem uma programação semanal definida, com horário para cada atração, incluindo diferentes montagens do ambiente expositivo, exibições de filmes e performances. Além disso, aos domingos, às 13h, ocorrem cortejos contestadores pela Avenida Paulista.
Serviço
Exposição | Cartas ao Mundo
Quando: até 29 de maio de 2022, terça a sexta, das 12h às 21h, sábados e domingos, das 10h às 18h30.
Local: Praça (Térreo).
Classificação etária: Livre.
Grátis.
Agendamento de grupos: agendamento.avenidapaulista@
Horário de funcionamento da unidade:
Terça a sexta, das 10h às 21h30.
Sábados, domingos e feriados, das 10h às 18h30.
É necessário apresentar comprovante de vacinação contra COVID-19. Crianças de 5 a 11 anos devem apresentar o comprovante evidenciando uma dose, pessoas a partir de 12 anos, das duas doses (ou dose única), além de documento com foto para ingressar nas unidades do Sesc no estado de São Paulo.
Cortejo na Avenida Paulista. Foto: Nati d’Angelo
Palco Ultra
O festival mineiro Palco Ultra anuncia FBC, Tasha & Trace e Tuyo no line-up de sua sétima edição. O evento acontece em formato online, mas visa juntar artistas de Norte a Sul. Tuyo e Luedji Luna, Carla Sceno e BNegão, Clarissa, Clara x Sofia, Nobat, Pretinho da Serrinha e Curumin são os nomes que compõem o primeiro dia da programação, 17 de maio (terça-feira). No dia seguinte, 18 de maio (quarta-feira), se apresentam FBC & Vhoor, Tasha e Tracie, Fenda, Kdu dos Anjos, Lirios, Jean Tassy e Ruby. O Palco Ultra será transmitido no canal de YouTube da UN Music a partir das 19h (acesse aqui).
Serviço
Palco Ultra 2022
Data: 17 e 18 de maio
Horário: A partir das 19h
Transmissão: pelo canal do grupo UN Music no YouTube (acesse aqui)
Siga o Palco Ultra nas redes sociais: @palcoultra
Tuyo e Luedji Luna. Créditos: JP SOFRANZ
25º Cultura Inglesa Festival
O Cultura Inglesa Festival (CIF), evento de cultura, educação e arte promovido pela Cultura Inglesa, chega à sua edição comemorativa de 25 anos até o dia 04 de junho, com uma programação plural, diversa e engajada. Confira a programação para esse final de semana
- 13/05, às 21h — “Love Catto Live O Show — Deluxe Edition”: Versão ao vivo das descoladas lives da madrugada nas redes sociais de Filipe Catto. No show, a cantora, instrumentista, compositora, ilustradora e designer brasileira se diverte com sua audiência enquanto constrói seu repertório, entre pedidos nostálgicos de karaokê, conselhos amorosos e absoluta descontração. O conteúdo ficará disponível on demand pela plataforma do festival de 14/05 a 04/06;
- 14 e 15/05, às 11h — “Mancala ou As sementes de Akin”: Espetáculo teatral infanto-juvenil criado pela atriz e historiadora Érika Rocha e dirigido por Mariana Mayor, que se passa no século XXI, em Londres, e tem como protagonista um menino negro, Akin, que usa a imaginação como refúgio enquanto entra em contato com as narrativas de Mary Prince, uma abolicionista britânica. O conteúdo estará disponível on demand pela plataforma do festival de 16/05 a 04/06;
Serviço:
25º Cultura Inglesa Festival
O que é: Evento de cultura, arte e educação promovido há 25 anos pela Associação Cultura Inglesa São Paulo
Quando: De 04 de maio a 04 de junho
Onde: São Paulo, Rio de Janeiro e Salvador + Plataforma digital do 25º Cultura Inglesa Festival
Acesso: Gratuito
Clique aqui para acessar a página oficial do 25º CIF
Filipe Catto. Foto: Juliana Robin
Homenagem a Geraldo Filme
Dama do samba de São Paulo e dona de uma voz grave, Maria da Graça Braga se encontra com a obra de Geraldo Filme, ambos herdeiros e representantes da mesma imensa nobreza ancestral. Por meio do Edital de Apoio à Cultura Negra da Secretaria Municipal de Cultura, Graça se apresenta nos meses de maio e junho, começando nesta sexta-feira, 13, a partir das 20h.
Serviço
Graça Braga homenageia a Arte Negra de Geraldo Filme
13/05 – Teatro Flávio Império às 20h
Rua Professor Alves Pedroso, 600 – Cangaíba, São Paulo/ SP
Grátis
Classificação indicativa: Livre
Os ingressos estarão disponíveis na bilheteria 1 hora antes da apresentação. Para retirá-los, será necessário apresentar o comprovante de vacinação.
Graça Braga. Foto Nilo Donadelli
Studio SP
Nesta sexta-feira tem show de Jup do Bairro no Studio SP. Os ingressos podem ser comprados pela Eventim e variam entre R$40 e R$80.
SERVIÇO
Data: 13/05/2022
Local: Studio SP
Endereço: Rua Augusta, 591 – Consolação. São Paulo – SP
Horário: 23h
Abertura da Casa: 21h
Ingressos aqui
Classificação Etária: 18 anos.
Jup Do Bairro durante apresentação no Lollapalooza. Foto Mila
Sesc 24 de Maio
Giovanna Moraes, um dos grandes destaques do pop rock nacional, se apresenta nesta quarta-feira, 18, no Sesc 24 de Maio, em São Paulo. Programado para às 20h, com ingressos que custam até R$ 40, repertório fala sobre força, liberdade e coragem de ser quem se é.
SERVIÇO
Giovanna Moraes no Sesc 24 de Maio
18 de maio, quarta-feira, às 20h
Valores e categorias dos ingressos: R$12,00 credencial plena / R$ 20,00 meia entrada / R$ 40,00 inteira
Protocolos covid-19 vigentes e exigidos no espaço: medição de temperatura e apresentação da carteira de vacinação
Faixa etária: livre
Capacidade do espaço: 245 pessoas
Endereço: Rua 24 de Maio, 109 – República, São Paulo
Link dos ingressos https://www.sescsp.org.br/
Giovanna Moraes. Foto: Thommy Tannus
Baile Profano
Clubbers e funkeiros podem dividir a mesma pista de dança? O Baile Profano mostra que sim. Uma das primeiras festas a apostar na mistura da música eletrônica com o pancadão, o projeto celebra 5 anos de existência com a edição temática O Baile virou rave no VGLNT, um dos principais points para amantes da música eletrônica em SP.
Serviço
Quando: 14/05/2022
Onde: VGLNT – Dom José de Barros, 253 – República
Capacidade: 200 pessoas
Valores: R＄ 25 antecipado (link na bio de @baileprofano), R＄ 30 na hora
O que toca: house music, techno e posfunk
DJs
Glaucia++
Angélica Moller
Ubunto
Drona
Peroni
Mary D
Kill
Forninho Traxx
Forninho Traxx é uma plataforma de música eletrônica recifense criada durante a pandemia, que rapidamente caiu no gosto da cena clubber recifense e Brasil afora e a plataforma promove, neste sábado, 14, uma experiência no Pier 112, em Jaboatão dos Guararapes.
Indo de encontro a maré das apostas em grandes nomes do cenário Sul/Sudeste, o coletivo traz como atração central a DJ manauara Melka. A artista é integrante do coletivo Ahre e parte do grupo musical D’Água Negra, que mistura influências Pop, Jazz, Soul com timbres místicos e sensuais do universo eletrônico. Para o set de abertura da noite, o coletivo contará com uma apresentação do STV. Os residentes e produtores Amnt e Avnoar, que é também fundadora do projeto, vão se apresentar, completando o lineup e dando o tom da proposta musical do selo.
Serviço
Local: Rua Soure, 196a – Jaboatão dos Guararapes – PE
Horário: 22h às 06h.
Site para comprar o ingresso: https://shotgun.live/pt/events/forninho?utm_source=ingressos-forninho
Pier 112, em Jaboatão dos Guararapes, local da festa
We want to say thanks to the author of this write-up for this incredible content
IZA, Jup do Bairro, Tuyo, Filipe Catto e muito o mais no Super Guia
Confira no Super Guia Music Non Stop rolês para afastar qualquer zica desta sexta-feira, 13! Vai rolar Jup do Bairro no Studio SP, IZA na cidade maravilhosa, o retorno do Teatro Mágico após hiato, Kiko Dinucci na Casa de Francisca, shows na Casa Natura Musical e até um fervo de eletrônica em Recife, olha que coisa linda! Aproveita, curte e manda pra longe essa energia ruim
TRIBALTECH
Após 2 anos de hiato, devido aos efeitos da pandemia, um dos maiores festivais de música do país está volta: a TRIBALTECH (TT) neste sábado, 14 de maio, o evento vai acontecer na cidade de Piraquara, na região metropolitana de Curitiba (PR), com uma ambientação inédita e curadoria musical de excelência, abraçando vários estilos musicais e evidenciado a marca de festival mais eclético do Brasil.
Consolidado como uma das mais importantes celebrações nacionais à música, a TRIBALTECH marcou gerações e fez seu nome ecoar por todos os cantos do país, se tornando uma referência nacional com uma combinação perfeita que mescla som de qualidade, estrutura de excelência e uma atmosfera voltada a imersão visual como diferencial.
a TRIBALTECH vai contar com 9 palcos posicionados em um espaço completamente ao ar livre, com 150.000 m2 de área verde. Outro grande destaque do evento ficará por conta de um inédito palco de Jazz, que chega para somar aos já tradicionais estilos do festival como Rap, Black Music, Break Beat, Drum & Bass, Soul, Samba, Pop, Rock e brasilidades, além, logicamente, da música eletrônica.
Os ingressos estão disponíveis no site www.ingresse.com. Mais informações no site www.tribaltech.com.br e no perfil oficial do evento no Instagram (@tribaltechofficial).
TIM Music Rio
Com a promessa de lotar novamente a praia de Copacabana, um dos principais cartões postais do Rio de Janeiro, o TIM Music Rio chega ao seu último fim de semana de apresentações. O evento, considerado o maior festival gratuito de música do Brasil, terá seus últimos shows nos dias 14 e 15 de maio, entre 16h e 20h, presenteando cariocas e turistas com apresentações que refletem a pluralidade e a efervescência da nova cena da música brasileira.
No dia 14, será a vez de Criolo invadir a praia e apresentar canções de seu novo disco, ‘Sobre Viver”, além de sucessos da carreira, convidando ainda para o palco a cantora Liniker, com um show potente e repleto de simbolismos. Quem encerra o festival, no dia 15, é a cantora IZA, que também é embaixadora da TIM, com um show que promete elevar a temperatura de Copacabana.
Serviço
Local: Praia de Copacabana, posto 4, em frente à rua Constante Ramos
14/05 (sábado)
Show: CRIOLO E LINIKER
Festa: Segue o Baile, com Zé Ricardo
15/05 (domingo)
Show: IZA
Festa: A Lei Natural dos Encontros, com Lucio Mauro Filho e Pedro Baby
Horário: entre 16h e 20h
IZA – foto divulgação
Teatro Mágico
Nos próximos dias 13, 14 e 15 de maio, o picadeiro do Circo Crescer e Viver será palco do lançamento de Luzente, o novo álbum do grupo O Teatro Mágico. Com a trupe completa, Fernando Anitelli apresentará show unindo música, poesia, malabarismos, números acrobáticos e muita interação com a plateia. Luzente rompe um hiato de 5 anos e inaugura uma nova era para O Teatro Mágico, com uma sonoridade mais pop, moderna e dançante.
SERVIÇO:
Data: 13, 14 e 15 de maio (sexta a domingo)
Local: Circo Crescer e Viver (Rua Carmo Neto, 143 – Cidade Nova)
Horário: 20 horas (sexta e sábado)/ 17 horas (domingo)
Abertura dos portões: 1 hora antes
Duração: 120 minutos
Classificação: 14 anos. Menores só entram acompanhados dos responsáveis legais.
Ingressos: Sympla
Valores 2º lote: R＄ 80 (inteira) / R＄ 40 (meia)
Fernando Anitelli, O Teatro Mágico. Foto Filipe Nevares
Kiko Dinucci
O compositor Kiko Dinucci apresenta ao público da Casa de Francisca seu premiado álbum solo, Rastilho, gravado apenas com violão. Focado nas possibilidades percussivas do instrumento, Kiko Dinucci traz uma abordagem baseada em características melódicas e rítmicas com influências que vão do violão de Baden Powell às linhas melódicas do guembri marroquino. As apresentações acontecem na próxima quarta e quinta-feira, dias 18 e 19 de maio a partir das 21h30.
Exposição
Fotógrafo carioca, filho de pai negro e mãe branca – ambos paraenses –, Walter Firmo teve seus mais de 70 anos de carreira dedicados a registrar o povo negro no Brasil. Explorando tons saturados e cores vibrantes no seu trabalho, Firmo retratou desde ícones da música afrobrasileira, como Dona Ivone Lara, Pixinguinha, Ismael Silva e outros, quanto documentou as manifestações de festas populares não-brancas em território brasileiro, como o Carnaval no Rio de Janeiro, o Dia de Iemanjá em Salvador, a Festa do Bumba Meu Boi em São Luís e o Círio de Nazaré em Belém. Em contraste com as cores pelas quais ficou conhecido, a exposição também traz um andar só com fotos em P&B do fotógrafo, muitas delas inéditas.
WALTER FIRMO – no verbo do silêncio a síntese do grito
Entrada gratuita
30/4 a 11/9/2022
Terça a domingo e feriados (exceto segunda) das 10h às 20h. Última admissão: 30 minutos antes do encerramento.
IMS Paulista
Galeria 3 – 8º andar
Avenida Paulista, 2424, São Paulo
Casa Natura Musical
Neste Sábado, dia 14, a cantora Alessandra Leão se apresenta na Casa Natura Musical para show do álbum ACESA, produzido e arranjado por ela e pelo produtor musical Caê Rolfsen, com quem também lançou “Macumbas e Catimbós”, indicado ao Grammy Latino 2019. A apresentação conta com a participação de JosyAra e também a participação especial de Odete de Pilar pela primeira vez em SP.
Alessandra Leão | ACESA
Data: 14.05.2022, sábado
Horário: 22h
Abertura da Casa: 20h30
Classificação: 16 anos
Casa Natura Musical Rua Artur de Azevedo 2134 – Pinheiros, São Paulo
Alessandra Leão. Foto reprodução Facebook
Bloco do Silva no RJ
Depois de dois anos de hiato, o projeto Bloco do Silva, do cantor capixaba Silva, nasceu da vontade do artista em interpretar repertório especial de Carnaval, misturando canções autorais e clássicos dos anos 90. Uma nova edição acontece no Rio de Janeiro neste sábado, dia 14 de maio.
Serviço
Data: 14 de maio (sábado)
Local: NAU Cidades – Av. Prof. Pereira Reis, 36 – Santo Cristo, Rio de Janeiro – RJ
Horário abertura dos portões: 20h
Vendas: Sympla
Valores: R＄ 150 (5º lote)
Classificação: 18 anos
Bloco do Silva. Foto divulgação
Exposição-manifesto
A exposição-manifesto Cartas ao Mundo, inspirada na obra de Glauber Rocha, modifica-se diariamente, várias vezes ao dia, com suportes singulares, filmes, performances e cortejos na Avenida Paulista até o dia 29 de maio, totalmente gratuito.
A mostra modifica-se diariamente, várias vezes ao dia, e tem uma programação semanal definida, com horário para cada atração, incluindo diferentes montagens do ambiente expositivo, exibições de filmes e performances. Além disso, aos domingos, às 13h, ocorrem cortejos contestadores pela Avenida Paulista.
Serviço
Exposição | Cartas ao Mundo
Quando: até 29 de maio de 2022, terça a sexta, das 12h às 21h, sábados e domingos, das 10h às 18h30.
Local: Praça (Térreo).
Classificação etária: Livre.
Grátis.
Agendamento de grupos: agendamento.avenidapaulista@
Horário de funcionamento da unidade:
Terça a sexta, das 10h às 21h30.
Sábados, domingos e feriados, das 10h às 18h30.
É necessário apresentar comprovante de vacinação contra COVID-19. Crianças de 5 a 11 anos devem apresentar o comprovante evidenciando uma dose, pessoas a partir de 12 anos, das duas doses (ou dose única), além de documento com foto para ingressar nas unidades do Sesc no estado de São Paulo.
Cortejo na Avenida Paulista. Foto: Nati d’Angelo
Palco Ultra
O festival mineiro Palco Ultra anuncia FBC, Tasha & Trace e Tuyo no line-up de sua sétima edição. O evento acontece em formato online, mas visa juntar artistas de Norte a Sul. Tuyo e Luedji Luna, Carla Sceno e BNegão, Clarissa, Clara x Sofia, Nobat, Pretinho da Serrinha e Curumin são os nomes que compõem o primeiro dia da programação, 17 de maio (terça-feira). No dia seguinte, 18 de maio (quarta-feira), se apresentam FBC & Vhoor, Tasha e Tracie, Fenda, Kdu dos Anjos, Lirios, Jean Tassy e Ruby. O Palco Ultra será transmitido no canal de YouTube da UN Music a partir das 19h (acesse aqui).
Serviço
Palco Ultra 2022
Data: 17 e 18 de maio
Horário: A partir das 19h
Transmissão: pelo canal do grupo UN Music no YouTube (acesse aqui)
Siga o Palco Ultra nas redes sociais: @palcoultra
Tuyo e Luedji Luna. Créditos: JP SOFRANZ
25º Cultura Inglesa Festival
O Cultura Inglesa Festival (CIF), evento de cultura, educação e arte promovido pela Cultura Inglesa, chega à sua edição comemorativa de 25 anos até o dia 04 de junho, com uma programação plural, diversa e engajada. Confira a programação para esse final de semana
- 13/05, às 21h — “Love Catto Live O Show — Deluxe Edition”: Versão ao vivo das descoladas lives da madrugada nas redes sociais de Filipe Catto. No show, a cantora, instrumentista, compositora, ilustradora e designer brasileira se diverte com sua audiência enquanto constrói seu repertório, entre pedidos nostálgicos de karaokê, conselhos amorosos e absoluta descontração. O conteúdo ficará disponível on demand pela plataforma do festival de 14/05 a 04/06;
- 14 e 15/05, às 11h — “Mancala ou As sementes de Akin”: Espetáculo teatral infanto-juvenil criado pela atriz e historiadora Érika Rocha e dirigido por Mariana Mayor, que se passa no século XXI, em Londres, e tem como protagonista um menino negro, Akin, que usa a imaginação como refúgio enquanto entra em contato com as narrativas de Mary Prince, uma abolicionista britânica. O conteúdo estará disponível on demand pela plataforma do festival de 16/05 a 04/06;
Serviço:
25º Cultura Inglesa Festival
O que é: Evento de cultura, arte e educação promovido há 25 anos pela Associação Cultura Inglesa São Paulo
Quando: De 04 de maio a 04 de junho
Onde: São Paulo, Rio de Janeiro e Salvador + Plataforma digital do 25º Cultura Inglesa Festival
Acesso: Gratuito
Clique aqui para acessar a página oficial do 25º CIF
Filipe Catto. Foto: Juliana Robin
Homenagem a Geraldo Filme
Dama do samba de São Paulo e dona de uma voz grave, Maria da Graça Braga se encontra com a obra de Geraldo Filme, ambos herdeiros e representantes da mesma imensa nobreza ancestral. Por meio do Edital de Apoio à Cultura Negra da Secretaria Municipal de Cultura, Graça se apresenta nos meses de maio e junho, começando nesta sexta-feira, 13, a partir das 20h.
Serviço
Graça Braga homenageia a Arte Negra de Geraldo Filme
13/05 – Teatro Flávio Império às 20h
Rua Professor Alves Pedroso, 600 – Cangaíba, São Paulo/ SP
Grátis
Classificação indicativa: Livre
Os ingressos estarão disponíveis na bilheteria 1 hora antes da apresentação. Para retirá-los, será necessário apresentar o comprovante de vacinação.
Graça Braga. Foto Nilo Donadelli
Studio SP
Nesta sexta-feira tem show de Jup do Bairro no Studio SP. Os ingressos podem ser comprados pela Eventim e variam entre R$40 e R$80.
SERVIÇO
Data: 13/05/2022
Local: Studio SP
Endereço: Rua Augusta, 591 – Consolação. São Paulo – SP
Horário: 23h
Abertura da Casa: 21h
Ingressos aqui
Classificação Etária: 18 anos.
Jup Do Bairro durante apresentação no Lollapalooza. Foto Mila
Sesc 24 de Maio
Giovanna Moraes, um dos grandes destaques do pop rock nacional, se apresenta nesta quarta-feira, 18, no Sesc 24 de Maio, em São Paulo. Programado para às 20h, com ingressos que custam até R$ 40, repertório fala sobre força, liberdade e coragem de ser quem se é.
SERVIÇO
Giovanna Moraes no Sesc 24 de Maio
18 de maio, quarta-feira, às 20h
Valores e categorias dos ingressos: R$12,00 credencial plena / R$ 20,00 meia entrada / R$ 40,00 inteira
Protocolos covid-19 vigentes e exigidos no espaço: medição de temperatura e apresentação da carteira de vacinação
Faixa etária: livre
Capacidade do espaço: 245 pessoas
Endereço: Rua 24 de Maio, 109 – República, São Paulo
Link dos ingressos https://www.sescsp.org.br/
Giovanna Moraes. Foto: Thommy Tannus
Baile Profano
Clubbers e funkeiros podem dividir a mesma pista de dança? O Baile Profano mostra que sim. Uma das primeiras festas a apostar na mistura da música eletrônica com o pancadão, o projeto celebra 5 anos de existência com a edição temática O Baile virou rave no VGLNT, um dos principais points para amantes da música eletrônica em SP.
Serviço
Quando: 14/05/2022
Onde: VGLNT – Dom José de Barros, 253 – República
Capacidade: 200 pessoas
Valores: R＄ 25 antecipado (link na bio de @baileprofano), R＄ 30 na hora
O que toca: house music, techno e posfunk
DJs
Glaucia++
Angélica Moller
Ubunto
Drona
Peroni
Mary D
Kill
Forninho Traxx
Forninho Traxx é uma plataforma de música eletrônica recifense criada durante a pandemia, que rapidamente caiu no gosto da cena clubber recifense e Brasil afora e a plataforma promove, neste sábado, 14, uma experiência no Pier 112, em Jaboatão dos Guararapes.
Indo de encontro a maré das apostas em grandes nomes do cenário Sul/Sudeste, o coletivo traz como atração central a DJ manauara Melka. A artista é integrante do coletivo Ahre e parte do grupo musical D’Água Negra, que mistura influências Pop, Jazz, Soul com timbres místicos e sensuais do universo eletrônico. Para o set de abertura da noite, o coletivo contará com uma apresentação do STV. Os residentes e produtores Amnt e Avnoar, que é também fundadora do projeto, vão se apresentar, completando o lineup e dando o tom da proposta musical do selo.
Serviço
Local: Rua Soure, 196a – Jaboatão dos Guararapes – PE
Horário: 22h às 06h.
Site para comprar o ingresso: https://shotgun.live/pt/events/forninho?utm_source=ingressos-forninho
Pier 112, em Jaboatão dos Guararapes, local da festa
We want to say thanks to the author of this write-up for this incredible content
IZA, Jup do Bairro, Tuyo, Filipe Catto e muito o mais no Super Guia
With the gradual release of the singles “Burberry Pie” (see below the article) and Haven Left Behind (June 17), the Prague Orient announces a new album. The LP “Redwood” brings with it variations in both line-up and style. The peculiar formation underwent personnel changes, and welcomed Patrik Šafránek as a drummer. Ondřej Šponer then took care of the bass on the record, but he will be replaced by Andrea Rottin in the live line-up. As for style, Lukáš Polák talks about freeing up space for more traditional musical instruments at the expense of electronics. The genre-unclassifiable music is thus more lively and dynamic, changeable and does not cling to the traditional formats established by Western popular music. The Brno label Kabinet Records is growing again. This time about the Prague band Orient, which will release two singles for the summer. After them, you can look forward to the autumn release on both vinyl and all streams. The second album is released after a long period of irregular performances and long-term changes in the line-up. Originally as a trio, they began exploring current electronic events, but over the years they gradually moved to a more traditional band with live instruments, including winds, percussion or old synthesizers, with as many as four members. However, as far as the structure of the songs is concerned, over the years the band has formed a still similar style, which is characterized mainly by a number of seemingly unrelated parts, which do not bring immediate catharsis simply because their connecting elements take place in more subtle cues. In terms of genre, the Orient is more difficult to describe in terms of a single box, but there are more raw and laconic post-punk vocals, psychedelic guitars, krautrock synths or even prog-rock techniques with a characteristic tension of indistinction. In terms of lyrics, the Orient has moved from a torn and dissatisfied position to a relatively more conciliatory and prudent one, but mystical veil is still present and, like the music itself, requires due attention and patience from the listener. The baptism of the album will take place both in the Brno Cabinet of MÚZ and in Prague in the autumn, when the band is planning a tour. More accurate information will be available, for example on facebook bands.
We wish to give thanks to the author of this post for this amazing web content
Orient releases two singles ahead of “Redwood,” which will be released by Kabinet Records in September
With the gradual release of the singles “Burberry Pie” (see below the article) and Haven Left Behind (June 17), the Prague Orient announces a new album. The LP “Redwood” brings with it variations in both line-up and style. The peculiar formation underwent personnel changes, and welcomed Patrik Šafránek as a drummer. Ondřej Šponer then took care of the bass on the record, but he will be replaced by Andrea Rottin in the live line-up. As for style, Lukáš Polák talks about freeing up space for more traditional musical instruments at the expense of electronics. The genre-unclassifiable music is thus more lively and dynamic, changeable and does not cling to the traditional formats established by Western popular music. The Brno label Kabinet Records is growing again. This time about the Prague band Orient, which will release two singles for the summer. After them, you can look forward to the autumn release on both vinyl and all streams. The second album is released after a long period of irregular performances and long-term changes in the line-up. Originally as a trio, they began exploring current electronic events, but over the years they gradually moved to a more traditional band with live instruments, including winds, percussion or old synthesizers, with as many as four members. However, as far as the structure of the songs is concerned, over the years the band has formed a still similar style, which is characterized mainly by a number of seemingly unrelated parts, which do not bring immediate catharsis simply because their connecting elements take place in more subtle cues. In terms of genre, the Orient is more difficult to describe in terms of a single box, but there are more raw and laconic post-punk vocals, psychedelic guitars, krautrock synths or even prog-rock techniques with a characteristic tension of indistinction. In terms of lyrics, the Orient has moved from a torn and dissatisfied position to a relatively more conciliatory and prudent one, but mystical veil is still present and, like the music itself, requires due attention and patience from the listener. The baptism of the album will take place both in the Brno Cabinet of MÚZ and in Prague in the autumn, when the band is planning a tour. More accurate information will be available, for example on facebook bands.
We wish to give thanks to the author of this post for this amazing web content
Orient releases two singles ahead of “Redwood,” which will be released by Kabinet Records in September
After the debut, which took place with Solabecome Gianmarco Rottaroin arte Holycon It just is song out from May 27, 2022 for Visory Records.
Born in 1999, from Aprilia in the province of Latina, Gianmarco grows up on the streets of Rome and listens to pop punk music, the genre he feels closest to him, thanks also to his older brother who makes him listen to Blink 182, Linkin Park, Green Day and many bands from the 90s and 2000s.
The stage name of Holy it is much more than that for the singer-songwriter… and a goal, the point towards which to aim to be the best version of himself.
Holy it is what he has inside and what he would like to be, but unfortunately he often keeps locked up by nature. Holy it is the perfect being, a kind of model to follow … in life you always have to cultivate a kind of ambition … and so Holy per Gianmarco it is a goal, a goal of life, of growth, above all personal. Everything surrounds us and everything is surrounded by us but we decide who we are, nobody else.
The music of Holy it is the story of his life experiences, from loves to friendships, but it is also a constant dialogue, a story that must never end, with a fundamental figure in his life.
Behind Holy there is therefore Gianmarco. And behind this boy’s need to write and sing there is an important reason … music as an interruption of silence. Music as a resumption of a dialogue that has been interrupted by life. The one with the grandfather who raised him and with whom Gianmarco constantly feels the need to communicate …
I consider the “luck” I had with the growth of social networks as a gift from my grandfather, he was the only grandfather I have lived to the full, and since he passed away, every milestone for me is guided by him.
Very often I found myself being last or not believing in my potential and I never put myself to the test… then “I felt it”. I was locked in my room for a whole day and a night, I wanted escape from external problems that surrounded and oppressed me. I felt the need to talk to those who had always understood me, my grandfather.
This dialogue has become like a secret, certainly a liberation and it was a way strongly mine, it did not happen by means of a prayer or simply thinking of him but by writing … I wrote the lyrics of what would become my songs and I shared them first of all with him … this it gave me strength and kept alive in me the hope that everything would go well … music allowed me to never stop talking to my grandfather and this gave me the strength to ask myself questions and look for my direction, in life and in music.
I wondered if it was the last day of my life, how was I going to spend it? And I kind of woke up… I could no longer neglect myself, I could no longer diminish myself, I had to believe in myself in what I had in my head, what I thought was right for my life. Where to always remind me who believed and believes in me.
And that’s how hor started to feel, with what I wrote and then sang, that I actually came to have a contact, as if he were actually there with me. I guess I can tell everything I’ve been through. In love at work and in friendship but in a different way, in music, the way he has always encouraged me not to give up.
HOLY BASTA
In the new single the young singer-songwriter tells the end of a love story, a story that wears him out too long and to which, finally, he finds the strength to say enough. Here to follow the text of the song entered on the day of release in the New Music Friday from Spotify.
ENOUGH TEXT AND AUDIO
And I’m tired
To hear you say
I’m leaving
Who knows if it’s an end
Like a rose
With too many thorns
Love as a crime
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
If I will be the same again
Oppure no
Oppure no
And you remember that promise
For me it was like
a fucking bet
But now
you are no longer the same
Now that I understand what to do
I know what you want
some say it stays
But then he wants to leave
Six dynamite in my head
I really don’t know what to do
All the times I’ve seen you
Be with him
Thinking I’m not
At the height of calling us
You know that by now
I have decided to leave you
To go
Get away from me
And this time
the truth
I found it in me
What I think
No tonight he won’t have
more sense
For me
And that time you left me on the ground
And then you went but why
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
Is it worth it?
And I do not know
What to answer.
If right wrong
Not it
I know more to understand
I’ve always painted you
Sitting
Between the clouds
Because you were hiding me
In the false
Fairy tales
Smoke on top of the bed
and for tonight
Okay
But there is too much space
If I’m not with
Lei
what will they think
Now About me
Yours
I just know I don’t know
How to explain it
To my.
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
We want to say thanks to the author of this post for this outstanding web content
Holy: music as a break from silence and as a continuation of the dialogue with those we have loved. Out the new single, “Basta”
After the debut, which took place with Solabecome Gianmarco Rottaroin arte Holycon It just is song out from May 27, 2022 for Visory Records.
Born in 1999, from Aprilia in the province of Latina, Gianmarco grows up on the streets of Rome and listens to pop punk music, the genre he feels closest to him, thanks also to his older brother who makes him listen to Blink 182, Linkin Park, Green Day and many bands from the 90s and 2000s.
The stage name of Holy it is much more than that for the singer-songwriter… and a goal, the point towards which to aim to be the best version of himself.
Holy it is what he has inside and what he would like to be, but unfortunately he often keeps locked up by nature. Holy it is the perfect being, a kind of model to follow … in life you always have to cultivate a kind of ambition … and so Holy per Gianmarco it is a goal, a goal of life, of growth, above all personal. Everything surrounds us and everything is surrounded by us but we decide who we are, nobody else.
The music of Holy it is the story of his life experiences, from loves to friendships, but it is also a constant dialogue, a story that must never end, with a fundamental figure in his life.
Behind Holy there is therefore Gianmarco. And behind this boy’s need to write and sing there is an important reason … music as an interruption of silence. Music as a resumption of a dialogue that has been interrupted by life. The one with the grandfather who raised him and with whom Gianmarco constantly feels the need to communicate …
I consider the “luck” I had with the growth of social networks as a gift from my grandfather, he was the only grandfather I have lived to the full, and since he passed away, every milestone for me is guided by him.
Very often I found myself being last or not believing in my potential and I never put myself to the test… then “I felt it”. I was locked in my room for a whole day and a night, I wanted escape from external problems that surrounded and oppressed me. I felt the need to talk to those who had always understood me, my grandfather.
This dialogue has become like a secret, certainly a liberation and it was a way strongly mine, it did not happen by means of a prayer or simply thinking of him but by writing … I wrote the lyrics of what would become my songs and I shared them first of all with him … this it gave me strength and kept alive in me the hope that everything would go well … music allowed me to never stop talking to my grandfather and this gave me the strength to ask myself questions and look for my direction, in life and in music.
I wondered if it was the last day of my life, how was I going to spend it? And I kind of woke up… I could no longer neglect myself, I could no longer diminish myself, I had to believe in myself in what I had in my head, what I thought was right for my life. Where to always remind me who believed and believes in me.
And that’s how hor started to feel, with what I wrote and then sang, that I actually came to have a contact, as if he were actually there with me. I guess I can tell everything I’ve been through. In love at work and in friendship but in a different way, in music, the way he has always encouraged me not to give up.
HOLY BASTA
In the new single the young singer-songwriter tells the end of a love story, a story that wears him out too long and to which, finally, he finds the strength to say enough. Here to follow the text of the song entered on the day of release in the New Music Friday from Spotify.
ENOUGH TEXT AND AUDIO
And I’m tired
To hear you say
I’m leaving
Who knows if it’s an end
Like a rose
With too many thorns
Love as a crime
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
If I will be the same again
Oppure no
Oppure no
And you remember that promise
For me it was like
a fucking bet
But now
you are no longer the same
Now that I understand what to do
I know what you want
some say it stays
But then he wants to leave
Six dynamite in my head
I really don’t know what to do
All the times I’ve seen you
Be with him
Thinking I’m not
At the height of calling us
You know that by now
I have decided to leave you
To go
Get away from me
And this time
the truth
I found it in me
What I think
No tonight he won’t have
more sense
For me
And that time you left me on the ground
And then you went but why
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
Is it worth it?
And I do not know
What to answer.
If right wrong
Not it
I know more to understand
I’ve always painted you
Sitting
Between the clouds
Because you were hiding me
In the false
Fairy tales
Smoke on top of the bed
and for tonight
Okay
But there is too much space
If I’m not with
Lei
what will they think
Now About me
Yours
I just know I don’t know
How to explain it
To my.
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
And how many times have I said enough
I’m still here
but this time I say enough
Go away from here
I tell you now
I do not know
if I’ll be the same again
oppure no
We want to say thanks to the author of this post for this outstanding web content
Holy: music as a break from silence and as a continuation of the dialogue with those we have loved. Out the new single, “Basta”
The Lumineers is a folk rock band from Denver, United States. Since the release of their first album, which has already turned 10 years old, they have already been nominated for a Grammy and have had a few songs at the top of the charts. Making songs in an unpopular musical genre, the group stands out in the phonographic market bringing a unique artistic vision, which delights fans and provokes reflection. In addition, the band consolidates itself more and more with its approach and aesthetics, creating video clips with cinematographic productions and captivating stories, joining the visual to its musical repertoire. Check out more details about the band and how their art is innovated with each release.
Currently, the group is made up of Wesley Schultzvocal principal, e Jeremiah Fraites, backing vocals, who together compose all the songs and also play various instruments, such as guitar, piano, keyboard, percussion, drums and many others. The band also had as a member Neyla Pekarekwho acted as a support vocalist and cellist, but who decided to leave the group in 2018.
On their debut album, “The Lumineers” (2012), they present themselves with a more cheerful and fun folk, and managed to score the song “Ho Hey”, which reached number 3 on the Billboard Hot 100, the music chart. most played in the United States, and were nominated for Grammy 2013 for the “Best American Album” and “Best American Album” awards.
In addition to a natural talent for folk rock music, the musicians also possess an intriguing and unusual artistic vision. To accompany the release of their albums, they often record video clips with stories that connect to each other, forming a true cinematic production, although the connection is not always clear to fans.
On their second album, “Cleopatra” (2016), for example, the group released clips for 4 songs on the album, namely “Ophelia”, “Cleopatra”, “Sleep on the Floor” and “Angela”, in random order. A little more than a year after the album’s release, on April 27, 2017, the video “The Ballad of Cleopatra” was made available on her YouTube account, which interconnects each of the clips in the form of a short. The fictional character named Cleopatra is the center of this story, reflecting on what her life would be like if she had made different choices.
A similar proposal is repeated in the group’s third album, “III” (2019). Here, the entire album tells a story, and to illustrate the narrative created with the songs, the band released 10 clips, which together account for 40 minutes of video. The plot is separated into three parts, centering on three different members of the Sparks family, who deal with addiction issues and how their trauma affects each other. The central characters are Gloria, the mother of the family, Jason, her son, and Jimmy, Jason’s son and Gloria’s grandson.
image: reproduction Wikipedia
On the fourth album, “Brightside” (2022), released in January, the title track and lead single has a beautiful video that honors love. According to Schultz, no actors were hired for the recording, and all the people in the clip are real. The artists’ intention was to show love through different lenses, regardless of ethnicity, sexual orientation or age. This is a very important message to share and might even inspire you to buy one. valentine’s day gift.
Unfortunately, we don’t know what the band’s plans are, but knowing the trajectory of their career, we can certainly look forward to more iconic songs and videos, which showcase their look and aesthetic through fascinating stories.
We want to say thanks to the writer of this article for this outstanding content
The Lumineers: 10 years of aesthetic innovation in the folk rock scene
The Lumineers is a folk rock band from Denver, United States. Since the release of their first album, which has already turned 10 years old, they have already been nominated for a Grammy and have had a few songs at the top of the charts. Making songs in an unpopular musical genre, the group stands out in the phonographic market bringing a unique artistic vision, which delights fans and provokes reflection. In addition, the band consolidates itself more and more with its approach and aesthetics, creating video clips with cinematographic productions and captivating stories, joining the visual to its musical repertoire. Check out more details about the band and how their art is innovated with each release.
Currently, the group is made up of Wesley Schultzvocal principal, e Jeremiah Fraites, backing vocals, who together compose all the songs and also play various instruments, such as guitar, piano, keyboard, percussion, drums and many others. The band also had as a member Neyla Pekarekwho acted as a support vocalist and cellist, but who decided to leave the group in 2018.
On their debut album, “The Lumineers” (2012), they present themselves with a more cheerful and fun folk, and managed to score the song “Ho Hey”, which reached number 3 on the Billboard Hot 100, the music chart. most played in the United States, and were nominated for Grammy 2013 for the “Best American Album” and “Best American Album” awards.
In addition to a natural talent for folk rock music, the musicians also possess an intriguing and unusual artistic vision. To accompany the release of their albums, they often record video clips with stories that connect to each other, forming a true cinematic production, although the connection is not always clear to fans.
On their second album, “Cleopatra” (2016), for example, the group released clips for 4 songs on the album, namely “Ophelia”, “Cleopatra”, “Sleep on the Floor” and “Angela”, in random order. A little more than a year after the album’s release, on April 27, 2017, the video “The Ballad of Cleopatra” was made available on her YouTube account, which interconnects each of the clips in the form of a short. The fictional character named Cleopatra is the center of this story, reflecting on what her life would be like if she had made different choices.
A similar proposal is repeated in the group’s third album, “III” (2019). Here, the entire album tells a story, and to illustrate the narrative created with the songs, the band released 10 clips, which together account for 40 minutes of video. The plot is separated into three parts, centering on three different members of the Sparks family, who deal with addiction issues and how their trauma affects each other. The central characters are Gloria, the mother of the family, Jason, her son, and Jimmy, Jason’s son and Gloria’s grandson.
image: reproduction Wikipedia
On the fourth album, “Brightside” (2022), released in January, the title track and lead single has a beautiful video that honors love. According to Schultz, no actors were hired for the recording, and all the people in the clip are real. The artists’ intention was to show love through different lenses, regardless of ethnicity, sexual orientation or age. This is a very important message to share and might even inspire you to buy one. valentine’s day gift.
Unfortunately, we don’t know what the band’s plans are, but knowing the trajectory of their career, we can certainly look forward to more iconic songs and videos, which showcase their look and aesthetic through fascinating stories.
We want to say thanks to the writer of this article for this outstanding content
The Lumineers: 10 years of aesthetic innovation in the folk rock scene
The American founders of nu-metal Korn presented a show in Prague, which did not surprise anything extra, but was characterized by maximum professionalism and a great setlist, which did not lack any major gems from their long career. The support in the form of the band The Fever333 also worked quite well for the atmosphere of the evening.
Live: Korn
support: The Fever 333
place: Fortuna Sports Hall, Prague
datum: May 27, 2022
setlist: Falling Away From Me, Got The Life, Here To Stay, Start The Healing, Cold, Shoots And Ladders, Insane, Lost In The Grandeur, Y’All Want A Single, Worst Is On Its Way, Coming Undone, Freak On A Leash, It’s On!/Trash/Did My Time, Twist, A.D.I.D.A.S., Drum Solo, Blind
Photo gallery
You can buy a lot of T-shirts, CDs and vinyls from Korn’s extensive discography in our shop.
© Tom Jajo Rozkovec / musicserver.cz
As the frontman of the main stars of the evening has rightly pointed out, it has been five years since the last visit of California’s Korn nu-metal ancestors to our capital. But the covid was to blame for the gap, because otherwise this legendary group has been coming to us quite regularly since the second half of their existence. The band has managed to release two studio albums in the meantime, and especially behind this year’s “Requeim” cut, it’s obviously worth a lot, because unlike previous shows, it didn’t include only one or two singles from the news, but we saw a few pieces (still in the European part of the tour is missing compared to the US single (“Forgotten”). The evening in the unfortunately traditionally tragically obsolete hall at the Exhibition Center kicked off with the eighth pre-crime festival discovery The Fever 333. This three-member group combines nineties rapmetal with modern rock full of electronics and teenage post hardcore choruses in the style of Bring Me The Horizon. What they certainly can’t be denied is the commitment and nurtured energy that sprays hectoliters from their live concerts. Once again, one feels that one does not see the band at the mature stage of one’s career, but in its rupture, when the musicians put everything into every performance. Singer Jason Aalon Butler flew around the stage like a madman, and thanks to his short haircut, he recalled the first years of Linkin Park and the then marathon running performances of the late Chester Bennington.
© Tom Jajo Rozkovec / musicserver.cz
After all, he reminded him vocally in some of the vaulted choruses. The zeal was also demonstrated by frontman’s social-critical speeches, which in turn provoked associations to Zach de la Rocha and Rage Against The Machine. Unfortunately, the catastrophic sound hurt them a lot and it must be added that compositionally it is definitely not a miracle. Nevertheless, they had a lot of fans in the hall, which is why the atmosphere of the event was right from the very beginning. Korn himself launched his booming depression circus by a quarter to ten, betting on his greatest classics “Falling Away From Me” and “Got The Life”. With this choice and the devotion of the audience, it was a great experience from the very beginning and the band held the reins of the evening firmly in their hands. The word professionalism could characterize their entire performance, which was musically absolutely precise and with perhaps ever better singing by Jonathan Davis. He even easily and playfully modified some of his older vocal lines, so during the wood classic “Shoots And Ladders” he switched from fake straight to death metal growling with absolute ease.
© Tom Jajo Rozkovec / musicserver.cz
For the last ten years or so, Korn has been relatively dominant over Davis. Unfortunately, it can also be heard on the last records, which maintain their quality standard, but the song structure has become very predictable and, let’s say, classically rock, built precisely for its comfortable vocal performance. Not only the spontaneity of old albums has disappeared (perhaps everyone understands that), but also the desire to experiment. Today, Korn sounds a lot of metal in the traditional sense of the word, including the highlighted role of the singer compared to the original five equivalent parts of the resulting stylistic collage. This is not a thought off topic and a confusion of a concert report for a review of the album, but it also applies to a rated show. Don’t get the author wrong, it was a great concert, absolutely precise, but maybe too much, with an overly dominant frontman. Unfortunately, the guitarist Head is no longer such a personality after his return, or he does not have as much space to express himself as an author, and even one would expect him to see more, including backing vocals.
© Tom Jajo Rozkovec / musicserver.cz
But what you can have absolutely no reservations about is the setlist. No one will really think of a major gem that would be missing that evening. The band also filled the relatively short playing time with the so-called medley, when in one whole at least a part of a song and often a cover will be heard. For example, we didn’t lose “Did My Time” that way. The drum solo may have been a bit redundant, but Ray Luzier simply has to perform. Original drummer David Silveria played more for the whole. Overall, it was a very successful, maximally professional concert, with a minimalist but impressive concert scene, where there was no major hit and extra pleasing after many years the inclusion of scathing psychopathy “It’s On!”. Korn will probably not be fundamentally surprised, not even in concert, but again, you can be sure that you will get what you want, in the maximum professional packaging. When they arrive again in a few years, the concert will probably look very similar. But even such certainty in today’s great great uncertainties can please with its predictability and be such a beacon in turbulent times.
We would love to give thanks to the writer of this write-up for this remarkable material
LIVE: Korn performed a prescription show in Prague
The American founders of nu-metal Korn presented a show in Prague, which did not surprise anything extra, but was characterized by maximum professionalism and a great setlist, which did not lack any major gems from their long career. The support in the form of the band The Fever333 also worked quite well for the atmosphere of the evening.
Live: Korn
support: The Fever 333
place: Fortuna Sports Hall, Prague
datum: May 27, 2022
setlist: Falling Away From Me, Got The Life, Here To Stay, Start The Healing, Cold, Shoots And Ladders, Insane, Lost In The Grandeur, Y’All Want A Single, Worst Is On Its Way, Coming Undone, Freak On A Leash, It’s On!/Trash/Did My Time, Twist, A.D.I.D.A.S., Drum Solo, Blind
Photo gallery
You can buy a lot of T-shirts, CDs and vinyls from Korn’s extensive discography in our shop.
© Tom Jajo Rozkovec / musicserver.cz
As the frontman of the main stars of the evening has rightly pointed out, it has been five years since the last visit of California’s Korn nu-metal ancestors to our capital. But the covid was to blame for the gap, because otherwise this legendary group has been coming to us quite regularly since the second half of their existence. The band has managed to release two studio albums in the meantime, and especially behind this year’s “Requeim” cut, it’s obviously worth a lot, because unlike previous shows, it didn’t include only one or two singles from the news, but we saw a few pieces (still in the European part of the tour is missing compared to the US single (“Forgotten”). The evening in the unfortunately traditionally tragically obsolete hall at the Exhibition Center kicked off with the eighth pre-crime festival discovery The Fever 333. This three-member group combines nineties rapmetal with modern rock full of electronics and teenage post hardcore choruses in the style of Bring Me The Horizon. What they certainly can’t be denied is the commitment and nurtured energy that sprays hectoliters from their live concerts. Once again, one feels that one does not see the band at the mature stage of one’s career, but in its rupture, when the musicians put everything into every performance. Singer Jason Aalon Butler flew around the stage like a madman, and thanks to his short haircut, he recalled the first years of Linkin Park and the then marathon running performances of the late Chester Bennington.
© Tom Jajo Rozkovec / musicserver.cz
After all, he reminded him vocally in some of the vaulted choruses. The zeal was also demonstrated by frontman’s social-critical speeches, which in turn provoked associations to Zach de la Rocha and Rage Against The Machine. Unfortunately, the catastrophic sound hurt them a lot and it must be added that compositionally it is definitely not a miracle. Nevertheless, they had a lot of fans in the hall, which is why the atmosphere of the event was right from the very beginning. Korn himself launched his booming depression circus by a quarter to ten, betting on his greatest classics “Falling Away From Me” and “Got The Life”. With this choice and the devotion of the audience, it was a great experience from the very beginning and the band held the reins of the evening firmly in their hands. The word professionalism could characterize their entire performance, which was musically absolutely precise and with perhaps ever better singing by Jonathan Davis. He even easily and playfully modified some of his older vocal lines, so during the wood classic “Shoots And Ladders” he switched from fake straight to death metal growling with absolute ease.
© Tom Jajo Rozkovec / musicserver.cz
For the last ten years or so, Korn has been relatively dominant over Davis. Unfortunately, it can also be heard on the last records, which maintain their quality standard, but the song structure has become very predictable and, let’s say, classically rock, built precisely for its comfortable vocal performance. Not only the spontaneity of old albums has disappeared (perhaps everyone understands that), but also the desire to experiment. Today, Korn sounds a lot of metal in the traditional sense of the word, including the highlighted role of the singer compared to the original five equivalent parts of the resulting stylistic collage. This is not a thought off topic and a confusion of a concert report for a review of the album, but it also applies to a rated show. Don’t get the author wrong, it was a great concert, absolutely precise, but maybe too much, with an overly dominant frontman. Unfortunately, the guitarist Head is no longer such a personality after his return, or he does not have as much space to express himself as an author, and even one would expect him to see more, including backing vocals.
© Tom Jajo Rozkovec / musicserver.cz
But what you can have absolutely no reservations about is the setlist. No one will really think of a major gem that would be missing that evening. The band also filled the relatively short playing time with the so-called medley, when in one whole at least a part of a song and often a cover will be heard. For example, we didn’t lose “Did My Time” that way. The drum solo may have been a bit redundant, but Ray Luzier simply has to perform. Original drummer David Silveria played more for the whole. Overall, it was a very successful, maximally professional concert, with a minimalist but impressive concert scene, where there was no major hit and extra pleasing after many years the inclusion of scathing psychopathy “It’s On!”. Korn will probably not be fundamentally surprised, not even in concert, but again, you can be sure that you will get what you want, in the maximum professional packaging. When they arrive again in a few years, the concert will probably look very similar. But even such certainty in today’s great great uncertainties can please with its predictability and be such a beacon in turbulent times.
We would love to give thanks to the writer of this write-up for this remarkable material
LIVE: Korn performed a prescription show in Prague
“STOP. STOP THE TIME.” She says it MySS Keta, the only one able to establish the time, the rhythm, to dominate the laws of physics and rewind the infinite tape, in her club, in her house which she owns and manages. Anticipated by the single Finimondo is out on 27 Maggio per Island Records/ Universal Music Italia the new album of the most mysterious miss of Italy Club Topperia.
He invites us to his club, out of spacetime, a physical but at the same time spiritual place, outside the rules where culture and passion, fun and obsession converge. From Studio 54 in New York to Plastic in Milan, everything flows into the album’s 16 tracks that flow like crazy splinters in a frenetic montage, to focus on the topical moments of a crazy night.
MySS Keta is the host, but as in any self-respecting evening, there is no shortage of guests of honor to animate the private room. Among interventions of various types, cameos and featuring alternate on the disc David Blankyoung nu-soul talent, the rapper Big Mama, Small,i Post Fog, Francesca Cipriani, The Babythe rapper Gue Pequenowith which the collaboration on Crazy, cmqmartina, Silvia Calderonithe singer of the mystery Naples THE GIRLit’s still Dargen D’amicohe dj-producer Populous, Boyrebecca, Noemi, Kiddy Smile and finally the writer Isabella Holy Cross.
All together to celebrate “clubbing” as a primordial dimension and the disco as a landscape of the soul. Exploring an imaginary geographic map that connects the nightlife capitals of the world, the M ¥ SS takes the listener for a walk through the 1990s of Jam&Spoon and two thousand of Lady Gagato get to the contemporary urban sound, passing through the fabulous sixties of Edoardo Vianello. The single that anticipated the release of the album is built on a sample of the latter.
Watch here the official video of Finimondo:
Myss Keta “Club Topperia”
Situationist performer, pop icon, but also rapper with a punk attitude, M¥SS Ketawhich rose to prominence in 2013 with the publication of Milan, Sushi and Coca has been able to create its own space on the Italian scene over time with a series of acclaimed successes even by the most hostile critics. Club Topperia is the third studio album, which comes after the collection The Angel from the Evening Glasses: With the Heart in Throat of 2016, the Ep Frozen Carpaccio and the two albums A Life In Capslock of 2018 followed by Paprika in 2019, which saw the participation of, among others Guè, Mahmood e Gabry Ponte. With this new work the M¥SS he further refines his writing with new assonances and puns, in his characteristic provocative style that made him famous, but also opens up to the melody recalling the pop of Britney Spearsexplores the new territories of Nu-soul and psychedelia, passing through house, techno and reggaeton sounds.
Here is the complete tracklist of the album:
1. Intro (Feat. David Blank)
2. Club Topperia
3. Coco’s problems
4. Scandalous
5. Stupid Hearts Run Free
6. Skit – The Women’s Bathroom (Francesca Cipriani)
7. Full (Feat. Guè Pequeno)
8. Finimondo
9. Ham Ham (Feat. Cmqmartina)
10. Skit – The Art Room (Silvia Calderoni)
11. XTC (Feat. LA NIÑA & BIGMAMA)
12. The orgy of MG (Feat. Dargen D’amico)
13. Security (Feat. Boyrebecca)
14. A Rose in Lambrate (Feat. Noemi)
15. Moveset (Feat. Kiddy Smile&David Blank)
16. Other (Isabella Santacroce)
Club Topperia it is a vivid and dizzying mosaic, which captures its references from a cinematographic, television, literary imaginary, recomposing and reinventing them. the result is a post apocalyptic boudoir made of bizarre hairstyles, fluorescent drinks and sweat-dissolved make-up. A non-place where pleasure becomes an instrument of vindication of one’s own identity, of freedom of bodies and self-determination.
Precisely with these lines of Isabella Santacroce the disc closes:
Sacred purple glasses that fall between porn-acrobatic-kisses and invulnerable polaroids of a fluorescent and magnificent night that the upside-down heart simulates climbing to the moon in sunglasses as morning arrives and everything continues, so fast, and so immortal.
Tour “club Topperia”, but not only …
So many commitments for MySS Keta who has made herself known in recent years as an eclectic artist, thanks also to the book published for Rizzoli Lizard in 2018, A woman who counts, and as an activist for the LGBTQ + community. In addition to the television engagement that you saw her among the protagonists of the Sanremo Festival 2020flanking Nicola Savino in the conduct of The Other Festival on Rai Play and on the Ariston stage in duet with Elettra Lamborghini.
Among the next appointments the artist will support Michela Giraud e Diego Passoniin the seventh edition of the Oscars of inclusion, i Diversity Media Awards 2022in onda Saturday 28 May are Rai 1, to reward personalities and media contents who have distinguished themselves for an enhancing representation of people on issues of gender and gender identity, sexual and emotional orientation, age and generations, ethnicity, and disability. From June 4thinstead he will return to the stage with the Tour Club Topperia.
Following the updated tour dates:
June 4 – Cremona, Tanta Robba Festival x Cremona Pride
17 June – Ortigia (SR), Maniace Summer fest
June 23 – Vicenza, Lumen Festival
25 June – Bologna, Beyond festival
July 3 – Perugia, Umbria That splits
July 9 – Florence, Viper Summer Festival
July 16 – Igea Marina (RN), Beky Bay
July 21 – Santa Severa (RM), Laziosound
23 July – Cassano Magnago (VA), Woodoo Fest
29 July – Gallipoli (le), Sottosopra Fest @Parco Gondar
26 August – Brescia, Party of Radio Onda d’urto
You can follow the updates on the tour dates on its official channels, who.
M ¥ SS KETA is the angel of evening glasses. And with a veiled face. His hidden identity of him is the best way to tell the Truth, because “having no face, there is a bit of M ¥ SS in each of us”.
Photo by Teresa Ciocia
We would love to thank the writer of this short article for this remarkable material
All invited to the “Club Topperia”, the new world of Myss Keta
“STOP. STOP THE TIME.” She says it MySS Keta, the only one able to establish the time, the rhythm, to dominate the laws of physics and rewind the infinite tape, in her club, in her house which she owns and manages. Anticipated by the single Finimondo is out on 27 Maggio per Island Records/ Universal Music Italia the new album of the most mysterious miss of Italy Club Topperia.
He invites us to his club, out of spacetime, a physical but at the same time spiritual place, outside the rules where culture and passion, fun and obsession converge. From Studio 54 in New York to Plastic in Milan, everything flows into the album’s 16 tracks that flow like crazy splinters in a frenetic montage, to focus on the topical moments of a crazy night.
MySS Keta is the host, but as in any self-respecting evening, there is no shortage of guests of honor to animate the private room. Among interventions of various types, cameos and featuring alternate on the disc David Blankyoung nu-soul talent, the rapper Big Mama, Small,i Post Fog, Francesca Cipriani, The Babythe rapper Gue Pequenowith which the collaboration on Crazy, cmqmartina, Silvia Calderonithe singer of the mystery Naples THE GIRLit’s still Dargen D’amicohe dj-producer Populous, Boyrebecca, Noemi, Kiddy Smile and finally the writer Isabella Holy Cross.
All together to celebrate “clubbing” as a primordial dimension and the disco as a landscape of the soul. Exploring an imaginary geographic map that connects the nightlife capitals of the world, the M ¥ SS takes the listener for a walk through the 1990s of Jam&Spoon and two thousand of Lady Gagato get to the contemporary urban sound, passing through the fabulous sixties of Edoardo Vianello. The single that anticipated the release of the album is built on a sample of the latter.
Watch here the official video of Finimondo:
Myss Keta “Club Topperia”
Situationist performer, pop icon, but also rapper with a punk attitude, M¥SS Ketawhich rose to prominence in 2013 with the publication of Milan, Sushi and Coca has been able to create its own space on the Italian scene over time with a series of acclaimed successes even by the most hostile critics. Club Topperia is the third studio album, which comes after the collection The Angel from the Evening Glasses: With the Heart in Throat of 2016, the Ep Frozen Carpaccio and the two albums A Life In Capslock of 2018 followed by Paprika in 2019, which saw the participation of, among others Guè, Mahmood e Gabry Ponte. With this new work the M¥SS he further refines his writing with new assonances and puns, in his characteristic provocative style that made him famous, but also opens up to the melody recalling the pop of Britney Spearsexplores the new territories of Nu-soul and psychedelia, passing through house, techno and reggaeton sounds.
Here is the complete tracklist of the album:
1. Intro (Feat. David Blank)
2. Club Topperia
3. Coco’s problems
4. Scandalous
5. Stupid Hearts Run Free
6. Skit – The Women’s Bathroom (Francesca Cipriani)
7. Full (Feat. Guè Pequeno)
8. Finimondo
9. Ham Ham (Feat. Cmqmartina)
10. Skit – The Art Room (Silvia Calderoni)
11. XTC (Feat. LA NIÑA & BIGMAMA)
12. The orgy of MG (Feat. Dargen D’amico)
13. Security (Feat. Boyrebecca)
14. A Rose in Lambrate (Feat. Noemi)
15. Moveset (Feat. Kiddy Smile&David Blank)
16. Other (Isabella Santacroce)
Club Topperia it is a vivid and dizzying mosaic, which captures its references from a cinematographic, television, literary imaginary, recomposing and reinventing them. the result is a post apocalyptic boudoir made of bizarre hairstyles, fluorescent drinks and sweat-dissolved make-up. A non-place where pleasure becomes an instrument of vindication of one’s own identity, of freedom of bodies and self-determination.
Precisely with these lines of Isabella Santacroce the disc closes:
Sacred purple glasses that fall between porn-acrobatic-kisses and invulnerable polaroids of a fluorescent and magnificent night that the upside-down heart simulates climbing to the moon in sunglasses as morning arrives and everything continues, so fast, and so immortal.
Tour “club Topperia”, but not only …
So many commitments for MySS Keta who has made herself known in recent years as an eclectic artist, thanks also to the book published for Rizzoli Lizard in 2018, A woman who counts, and as an activist for the LGBTQ + community. In addition to the television engagement that you saw her among the protagonists of the Sanremo Festival 2020flanking Nicola Savino in the conduct of The Other Festival on Rai Play and on the Ariston stage in duet with Elettra Lamborghini.
Among the next appointments the artist will support Michela Giraud e Diego Passoniin the seventh edition of the Oscars of inclusion, i Diversity Media Awards 2022in onda Saturday 28 May are Rai 1, to reward personalities and media contents who have distinguished themselves for an enhancing representation of people on issues of gender and gender identity, sexual and emotional orientation, age and generations, ethnicity, and disability. From June 4thinstead he will return to the stage with the Tour Club Topperia.
Following the updated tour dates:
June 4 – Cremona, Tanta Robba Festival x Cremona Pride
17 June – Ortigia (SR), Maniace Summer fest
June 23 – Vicenza, Lumen Festival
25 June – Bologna, Beyond festival
July 3 – Perugia, Umbria That splits
July 9 – Florence, Viper Summer Festival
July 16 – Igea Marina (RN), Beky Bay
July 21 – Santa Severa (RM), Laziosound
23 July – Cassano Magnago (VA), Woodoo Fest
29 July – Gallipoli (le), Sottosopra Fest @Parco Gondar
26 August – Brescia, Party of Radio Onda d’urto
You can follow the updates on the tour dates on its official channels, who.
M ¥ SS KETA is the angel of evening glasses. And with a veiled face. His hidden identity of him is the best way to tell the Truth, because “having no face, there is a bit of M ¥ SS in each of us”.
Photo by Teresa Ciocia
We would love to thank the writer of this short article for this remarkable material
All invited to the “Club Topperia”, the new world of Myss Keta
Music Non Stop right? Everything to do with our work that has a lot of influence from Kraftwerk
To stutter is to communicate badly. Where did this name come from? Do you have difficulty communicating?
Wilton: To stutter is also to “traquejar”. It’s a curious name because a lot of people don’t know it’s in Portuguese. It is synonymous with “stutterer” and in Spanish it is a common word. But as we work with the loop, which is a repetition of short (and in our case very short) elements, you often notice that in the songs the guitar seems to be stuttering. It became a name that makes a lot of sense in our work. A sound that works with repetition. This is our concept, working the loop.
What year did you start?
Wilton: That thing really took off about three years ago.
You can see from your faces that this isn’t the first musical project you’ve been involved in. What is your backstory in music?
Zé: Man, we’ve been playing together for about 20 years. Wilton played in a band called Divine, from the early 90’s. A very interesting band that mixed shoegaze, hardcore, something kind of fast
W: There was a bit of a tribal thing too. Our vocalist was very interested in the things of the Afro identity, it was a band that sang in Portuguese about Iansan, Umbanda…
Z: And then I met Divine, played keyboards with them a little bit. And a few years later, in the early 2000s, we formed a band together called Superquadra, which was a transition between Tartamudo and Divine. A more climactic sound, more head… cerebral.
W: I already had a flirtation with electronics, with bases, loops and such
Z: And then after this band broke up we broke up a little bit. I focused on soundtracks and film and Wilton had other bands. Until we met again and took this sound. We talked and arrived at the music we make today.
W: As we have had this affinity for many years, the way of creating is very refined. We started recording there at the end of the 80s with magnetic tape, on a roll… and technology has made huge leaps since that time. So we realized that we could make music very efficiently, with quality and from inside the house. In addition to being quickly.
MNS: This record of yours is “stuck” in Krautrock. Which is awesome, because I don’t think I remember anything as influenced by Kraut as what you guys are doing. This was an idea of the band’s conception, or it came naturally. What is this relationship?
W: I have a fondness for the Kraut scene. I’m a big fan of bands like Neu, Harmonia Can and even Kraftwerk, which is part of this scene. So much so that one of my old bands was called Motorik. So I wanted to explore with Zé Pedro musical minimalism, not only electronic, but a song that stays in one chord from beginning to end and you see nuances in the execution of this same chord, something that michal, guitarist of Neu and Harmonia he does. It started a lot in exploring this concept of the minimum.
We would like to give thanks to the author of this short article for this remarkable material
stutter interview – music non stop
Music Non Stop right? Everything to do with our work that has a lot of influence from Kraftwerk
To stutter is to communicate badly. Where did this name come from? Do you have difficulty communicating?
Wilton: To stutter is also to “traquejar”. It’s a curious name because a lot of people don’t know it’s in Portuguese. It is synonymous with “stutterer” and in Spanish it is a common word. But as we work with the loop, which is a repetition of short (and in our case very short) elements, you often notice that in the songs the guitar seems to be stuttering. It became a name that makes a lot of sense in our work. A sound that works with repetition. This is our concept, working the loop.
What year did you start?
Wilton: That thing really took off about three years ago.
You can see from your faces that this isn’t the first musical project you’ve been involved in. What is your backstory in music?
Zé: Man, we’ve been playing together for about 20 years. Wilton played in a band called Divine, from the early 90’s. A very interesting band that mixed shoegaze, hardcore, something kind of fast
W: There was a bit of a tribal thing too. Our vocalist was very interested in the things of the Afro identity, it was a band that sang in Portuguese about Iansan, Umbanda…
Z: And then I met Divine, played keyboards with them a little bit. And a few years later, in the early 2000s, we formed a band together called Superquadra, which was a transition between Tartamudo and Divine. A more climactic sound, more head… cerebral.
W: I already had a flirtation with electronics, with bases, loops and such
Z: And then after this band broke up we broke up a little bit. I focused on soundtracks and film and Wilton had other bands. Until we met again and took this sound. We talked and arrived at the music we make today.
W: As we have had this affinity for many years, the way of creating is very refined. We started recording there at the end of the 80s with magnetic tape, on a roll… and technology has made huge leaps since that time. So we realized that we could make music very efficiently, with quality and from inside the house. In addition to being quickly.
MNS: This record of yours is “stuck” in Krautrock. Which is awesome, because I don’t think I remember anything as influenced by Kraut as what you guys are doing. This was an idea of the band’s conception, or it came naturally. What is this relationship?
W: I have a fondness for the Kraut scene. I’m a big fan of bands like Neu, Harmonia Can and even Kraftwerk, which is part of this scene. So much so that one of my old bands was called Motorik. So I wanted to explore with Zé Pedro musical minimalism, not only electronic, but a song that stays in one chord from beginning to end and you see nuances in the execution of this same chord, something that michal, guitarist of Neu and Harmonia he does. It started a lot in exploring this concept of the minimum.
We would like to give thanks to the author of this short article for this remarkable material
stutter interview – music non stop
A quick search for the Australian band Spacey Jane on any platform, he soon yields fervent comments about his live performances, whether in the public response or in the reviews of specialized critics. It is not risky to consider, even speaking from here in a corner of the world where the quartet has never set foot, that this is, therefore, its strongest point. How curious, then, to think that the group produced their second album, Here Comes Everybodyduring a time of the pandemic when no one could say if we would ever step on a show again in our lives.
“We were in a live music vacuum,” frontman Caleb Harper told music pavé, “For the first time, we made songs without thinking about how they would look on stage. We only take into account the listener’s experience with the record.” Also commenting on the experience of working on a second album, compared to a debut release, he states that “it wasn’t easier, because we had more to think about. When you release your first album, it’s like a three-year-old showing you a drawing and you say “look, that’s cool” (laughs), there’s a whole margin of error. That margin is much smaller now. Our audience has grown, there are more expectations, and we had to consider all of that. At the same time, it’s our first time writing and producing with the band as our full-time job. The feeling is that we are now where we need to be.”
//www.youtube.com/watch?v=FWHWJQh3Hk8
In addition to being able to dedicate himself exclusively to the band (and with plenty of time during the pandemic quarantine), Spacey Jane was able to rethink what he would like to do with Here Comes Everybodythe successor of Sunlight (2020). “The way people consume music is 99% alone, with headphones, so we thought, ‘How do we make this experience the best?’” says Caleb, “it’s only now that we’re in the process of building the show for the album. , which has been really cool, because that’s where a lot of challenges arise of how to transport that to the stage. We’re walking the fine line between reproducing what’s on the album, which is what people most want to hear, and our willingness to deliver a performance that’s amazing.”
“I think, more and more, if you love a song by a band, you want to go to the show and at the very least recognize that sound that you already enjoy. So, the primary objective is to be able to bring the live sound closer to the recorded one, then think about how to make it even better”, comments he, who says he is also looking forward to the shows: “[Estou] excited to play less of the old songs that we’ve played so much over the course of two years, so it will be nice to be able to focus on the new ones. I think it gives us new energy. But I’m nervous because the audience still doesn’t know the songs well. You can’t tell how people there identify with a track just by the streaming numbers. Sometimes when you’re standing there in front of them, the reaction isn’t what you expected, it’s a whole different story.”
//www.youtube.com/watch?v=WsO1WCJn930
Launching on June 24th, Here Comes Everybody already had three singles released: Hardlight, It’s Been a Long Day e Sitting Up. “They don’t necessarily reflect how the record is as a whole, because the decision to choose singles is made based on several factors – the label thinks about what will look best on radio, streaming, engagement, etc. — and putting together an album is just a matter of keeping in mind what makes that record good,” explains Caleb, “there are things on the record that I’m curious to see how people will react. It’s not all big choruses, or guitar-driven. It has a lot of keyboard, but also a lot of percussion. You’ll listen to the album and not say ‘oh sure, I already knew that sound from hearing the singles’. I think he’s going to say, ‘this wasn’t what I expected, what the fuck?’ (laughs)”.
If the pandemic and also its period of isolation influenced disco production, it is easy to assume that they also affected the content of the lyrics – see It’s Been a Long Day. Caleb says that working on this dynamic “is difficult, because we don’t want to talk about it all the time, but we also can’t ignore the impact that all of this has. For me, the track is about a relationship that ended as a result of the afflictions of being a musician during the pandemic, and how it affected my mental state. So, yes, it had a direct impact on the content of the album, which speaks to the experiences that I and others have had over the years.”
//www.youtube.com/watch?v=iQl9J_JuiJs
In time: Spacey Jane is a bit of a “fish out of water” band in the Perth scene, known as the birthplace of Australian psychedelia. “We worked with a guy who mastered the first releases that Tame Impala did,” says Caleb, “and a lot of Brazilian psychedelic bands would send him music to master as well, so we would sit in the studio with him and listen to a bunch of psychedelic Brazilian music that I hadn’t even left yet, and it was all amazing. We grew up in that environment, but we were the only band making a more indie sound.”
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The post Spacey Jane made their second album in the “Void of Live Music” first appeared on Música Pavê.
We want to give thanks to the author of this write-up for this amazing web content
Spacey Jane Made His Second Album In “Live Music Void”
A quick search for the Australian band Spacey Jane on any platform, he soon yields fervent comments about his live performances, whether in the public response or in the reviews of specialized critics. It is not risky to consider, even speaking from here in a corner of the world where the quartet has never set foot, that this is, therefore, its strongest point. How curious, then, to think that the group produced their second album, Here Comes Everybodyduring a time of the pandemic when no one could say if we would ever step on a show again in our lives.
“We were in a live music vacuum,” frontman Caleb Harper told music pavé, “For the first time, we made songs without thinking about how they would look on stage. We only take into account the listener’s experience with the record.” Also commenting on the experience of working on a second album, compared to a debut release, he states that “it wasn’t easier, because we had more to think about. When you release your first album, it’s like a three-year-old showing you a drawing and you say “look, that’s cool” (laughs), there’s a whole margin of error. That margin is much smaller now. Our audience has grown, there are more expectations, and we had to consider all of that. At the same time, it’s our first time writing and producing with the band as our full-time job. The feeling is that we are now where we need to be.”
//www.youtube.com/watch?v=FWHWJQh3Hk8
In addition to being able to dedicate himself exclusively to the band (and with plenty of time during the pandemic quarantine), Spacey Jane was able to rethink what he would like to do with Here Comes Everybodythe successor of Sunlight (2020). “The way people consume music is 99% alone, with headphones, so we thought, ‘How do we make this experience the best?’” says Caleb, “it’s only now that we’re in the process of building the show for the album. , which has been really cool, because that’s where a lot of challenges arise of how to transport that to the stage. We’re walking the fine line between reproducing what’s on the album, which is what people most want to hear, and our willingness to deliver a performance that’s amazing.”
“I think, more and more, if you love a song by a band, you want to go to the show and at the very least recognize that sound that you already enjoy. So, the primary objective is to be able to bring the live sound closer to the recorded one, then think about how to make it even better”, comments he, who says he is also looking forward to the shows: “[Estou] excited to play less of the old songs that we’ve played so much over the course of two years, so it will be nice to be able to focus on the new ones. I think it gives us new energy. But I’m nervous because the audience still doesn’t know the songs well. You can’t tell how people there identify with a track just by the streaming numbers. Sometimes when you’re standing there in front of them, the reaction isn’t what you expected, it’s a whole different story.”
//www.youtube.com/watch?v=WsO1WCJn930
Launching on June 24th, Here Comes Everybody already had three singles released: Hardlight, It’s Been a Long Day e Sitting Up. “They don’t necessarily reflect how the record is as a whole, because the decision to choose singles is made based on several factors – the label thinks about what will look best on radio, streaming, engagement, etc. — and putting together an album is just a matter of keeping in mind what makes that record good,” explains Caleb, “there are things on the record that I’m curious to see how people will react. It’s not all big choruses, or guitar-driven. It has a lot of keyboard, but also a lot of percussion. You’ll listen to the album and not say ‘oh sure, I already knew that sound from hearing the singles’. I think he’s going to say, ‘this wasn’t what I expected, what the fuck?’ (laughs)”.
If the pandemic and also its period of isolation influenced disco production, it is easy to assume that they also affected the content of the lyrics – see It’s Been a Long Day. Caleb says that working on this dynamic “is difficult, because we don’t want to talk about it all the time, but we also can’t ignore the impact that all of this has. For me, the track is about a relationship that ended as a result of the afflictions of being a musician during the pandemic, and how it affected my mental state. So, yes, it had a direct impact on the content of the album, which speaks to the experiences that I and others have had over the years.”
//www.youtube.com/watch?v=iQl9J_JuiJs
In time: Spacey Jane is a bit of a “fish out of water” band in the Perth scene, known as the birthplace of Australian psychedelia. “We worked with a guy who mastered the first releases that Tame Impala did,” says Caleb, “and a lot of Brazilian psychedelic bands would send him music to master as well, so we would sit in the studio with him and listen to a bunch of psychedelic Brazilian music that I hadn’t even left yet, and it was all amazing. We grew up in that environment, but we were the only band making a more indie sound.”
like more interviews no music pavé
Share!
The post Spacey Jane made their second album in the “Void of Live Music” first appeared on Música Pavê.
We want to give thanks to the author of this write-up for this amazing web content
Spacey Jane Made His Second Album In “Live Music Void”
The program of the evening in the Fortuna sports hall, the former Tipsport arena, promised a lot. After all, the greats of progressive metal Dream Theater and as a special guest Devin Townsend were to perform on one stage. That is why expectations were rightly set at the highest level. Did these progressives fill them?
Live:Dream Theater
place: Fortuna Sports Hall, Prague
datum: May 26, 2022
support: Devin Townsend
setlist: The Alien, 6:00, Awaken Master, Endless Sacrifice, Bridge in the Sky, Invisible Monster, About to Crash, The Ministry of Lost Souls, A View From the Top of the World, The Count of Tuscany
Photo gallery
You can buy a lot of T-shirts, CDs and vinyls from Dream Theater’s extensive discography in our shop. At the very beginning, the answer to the perex question must be revealed. Yes, both protagonists met the expectations of Thursday night, to a great extent. However, what they failed to fill was the capacity of the Holešovice hall. Unfortunately, the pressure of events in one week and two big rock bands in one day (the Scorpions played at the O2 arena) probably had an effect on lower attendance, which is a shame for a band the size of Dream Theater.
© Tom Jajo Rozkovec / musicserver.cz
The galleries were empty, as those who had originally occupied more distant places from the stage went straight to the surface. It was divided into sectors for sitting and ready for a big show and logically a bigger visit. Devin Townsend started the evening at a quarter to eight with his group, which, unlike his last visit to Roxy in Prague, was cut into a quartet. However, it was not known in the performance, on the contrary. This sympathetic Canadian, this time he lost his pomp in the form of palms and other properties, but he played an even more striking uncompromising nine-item set, which he took as a cross-section with his rich career. His played compositions mixed his typical brutal approach to metal, spiced with progression, with subtle keyboard underlines. Of course, all supported by his great singing and specific sense of humor. In a short time, Devin became the darling of the audience, and so it happened that he jumped with his guitar closer to the audience, which ran to him and formed a kind of semicircle around him. At that moment, it seemed that he was really playing and soloing just for them.
© Tom Jajo Rozkovec / musicserver.cz
His musical set was divided almost equally into compositions under which he is signed as a solo artist, as well as those from his Project. Although the selection of songs was slightly similar to what he played at Brutal Assault in 2017 and, paradoxically, none of his last successful series “Empath” sounded, it does not change the fact that it was a very successful pre-jump and choosing such an artist was definitely not a bad choice. . Really great start. Slightly before the announced star of the evening’s performance, symphonic reproduced music from the band’s workshop began to sound, and nature clips were displayed on the screen, describing themes from the current cover of the last album. In the meantime, the area was filled with people from more distant galleries. Here it is necessary to highlight the security, which managed it brilliantly to the satisfaction of all, because those who wanted to sit could and still not lose their perspective. Experience from past concerts says that this has rarely been the case. Hats off. And I don’t evaluate the decision to adapt this type of concert to a session at all …
© Tom Jajo Rozkovec / musicserver.cz
The Dream Theater itself took the stage very civilly, without any major gestures or stage spells. In the spotlight, the musicians greeted the audience and immediately dug into the strings. From the very beginning, the quintet let the audience know that it did not intend to compromise on its technical or sound qualities. The scene, which was dominated by Mangini’s relatively truncated drum kit and keyboards by Jordan Rudess, was adorned with several panel screens that complemented one large screen, which projected various, and it should be noted that very successful film clips. The parties filled in other screens with large spotlights, which already showed their strength during the first and very vigorously played song “The Alien”. The whole stage, free of any apparatus and cables, thus created a graceful, even surgically clean space with a kind of 3D effect. At times, it looked like the deck of an alien ship.
© Tom Jajo Rozkovec / musicserver.cz
The band seemed perfectly fine. Many times during the performance, John Petrucci conjured a smile on his lips and literally enchanted his guitar when he burned one solo after another, or instead let it resound in long tones, only then the gradation-enhanced musical motif merged. The Rhudess keyboardist turned and tilted his keys in various ways so that he would always be in the areas reserved for solo instruments. The stoic calm bassist John Myung drew attention to himself as much as possible by throwing his long mane and especially agile fingers, which ran down the fingerboard of his bass neck, otherwise he always stood slightly out of the main events. However, he made up for that in the song “6:00”, in which he created with his namesake battle postsin which, at the sound of a keyboardist, the etude scales were crushed in unison.
© Tom Jajo Rozkovec / musicserver.cz
An inseparable figure of the band is and was, of course, the frontman that night, the singer James LaBrie, who encouraged the audience at every opportunity. He sang his part and quietly disappeared behind the scenes to return full of energy after singing. His voice seemed firm, although he sang some parts slightly differently than we know them from the studios. Needless to say, it didn’t hurt. The sung, slightly altered parts took on a slightly different dimension, and in the quiet passages it sounded more civil, without great manners, almost a recital. The setlist was also interesting. Apart from four songs, including the final twenty-minute composition, from the latest album “A View from the Top of the World”, only six more were heard, the shortest of which lasted about six minutes. The first peak came with “Bridge in the Sky”, in which, although Mike Mangini had a technical problem with the drums, he still played brilliantly, as did the whole concert. And it should be noted – like the whole band. The composition “About to Crash” sounded beautiful. It was one of two calming downs, but here it was part of a larger and longer whole. After “The Ministry of Lost Souls” went to the finals. This provided the de facto forty-minute double track of the title track from the last album and after a storm of applause and maybe just a minute’s respite from the grand finale in the form of “The Count of Tuscany”.
© Tom Jajo Rozkovec / musicserver.cz
The show’s own point of view is certainly worth mentioning. Yes, Dream Theater are not wild boars, in fact, it wouldn’t even suit their music. Their music is thoughtful, sometimes harrowing, soothing and smooth, and definitely not accessible to every ear. It takes a while to experience the intricacies of their places, but if you don’t give up, you are rewarded with a musical beauty full of melodies and a sense of gradation. This is how their show worked. Although the light of Rammstein and Tool cannot match the light, however, these musicians are completely different musically. For me that night, Dream Theater, although their playlist numbered only ten items, some even surprising, played probably its most accessible set. And even though the sound from the place where I watched the performance was uneven in places, fortunately it became clearer from the middle, I evaluate the concert very positively. I can only say that I have not seen a bad concert this year. And this one was excellent. Just keep going.
We would love to thank the author of this write-up for this outstanding material
LIVE: Dream Theater performed in Holešovice on their softer and more melodic note
The program of the evening in the Fortuna sports hall, the former Tipsport arena, promised a lot. After all, the greats of progressive metal Dream Theater and as a special guest Devin Townsend were to perform on one stage. That is why expectations were rightly set at the highest level. Did these progressives fill them?
Live:Dream Theater
place: Fortuna Sports Hall, Prague
datum: May 26, 2022
support: Devin Townsend
setlist: The Alien, 6:00, Awaken Master, Endless Sacrifice, Bridge in the Sky, Invisible Monster, About to Crash, The Ministry of Lost Souls, A View From the Top of the World, The Count of Tuscany
Photo gallery
You can buy a lot of T-shirts, CDs and vinyls from Dream Theater’s extensive discography in our shop. At the very beginning, the answer to the perex question must be revealed. Yes, both protagonists met the expectations of Thursday night, to a great extent. However, what they failed to fill was the capacity of the Holešovice hall. Unfortunately, the pressure of events in one week and two big rock bands in one day (the Scorpions played at the O2 arena) probably had an effect on lower attendance, which is a shame for a band the size of Dream Theater.
© Tom Jajo Rozkovec / musicserver.cz
The galleries were empty, as those who had originally occupied more distant places from the stage went straight to the surface. It was divided into sectors for sitting and ready for a big show and logically a bigger visit. Devin Townsend started the evening at a quarter to eight with his group, which, unlike his last visit to Roxy in Prague, was cut into a quartet. However, it was not known in the performance, on the contrary. This sympathetic Canadian, this time he lost his pomp in the form of palms and other properties, but he played an even more striking uncompromising nine-item set, which he took as a cross-section with his rich career. His played compositions mixed his typical brutal approach to metal, spiced with progression, with subtle keyboard underlines. Of course, all supported by his great singing and specific sense of humor. In a short time, Devin became the darling of the audience, and so it happened that he jumped with his guitar closer to the audience, which ran to him and formed a kind of semicircle around him. At that moment, it seemed that he was really playing and soloing just for them.
© Tom Jajo Rozkovec / musicserver.cz
His musical set was divided almost equally into compositions under which he is signed as a solo artist, as well as those from his Project. Although the selection of songs was slightly similar to what he played at Brutal Assault in 2017 and, paradoxically, none of his last successful series “Empath” sounded, it does not change the fact that it was a very successful pre-jump and choosing such an artist was definitely not a bad choice. . Really great start. Slightly before the announced star of the evening’s performance, symphonic reproduced music from the band’s workshop began to sound, and nature clips were displayed on the screen, describing themes from the current cover of the last album. In the meantime, the area was filled with people from more distant galleries. Here it is necessary to highlight the security, which managed it brilliantly to the satisfaction of all, because those who wanted to sit could and still not lose their perspective. Experience from past concerts says that this has rarely been the case. Hats off. And I don’t evaluate the decision to adapt this type of concert to a session at all …
© Tom Jajo Rozkovec / musicserver.cz
The Dream Theater itself took the stage very civilly, without any major gestures or stage spells. In the spotlight, the musicians greeted the audience and immediately dug into the strings. From the very beginning, the quintet let the audience know that it did not intend to compromise on its technical or sound qualities. The scene, which was dominated by Mangini’s relatively truncated drum kit and keyboards by Jordan Rudess, was adorned with several panel screens that complemented one large screen, which projected various, and it should be noted that very successful film clips. The parties filled in other screens with large spotlights, which already showed their strength during the first and very vigorously played song “The Alien”. The whole stage, free of any apparatus and cables, thus created a graceful, even surgically clean space with a kind of 3D effect. At times, it looked like the deck of an alien ship.
© Tom Jajo Rozkovec / musicserver.cz
The band seemed perfectly fine. Many times during the performance, John Petrucci conjured a smile on his lips and literally enchanted his guitar when he burned one solo after another, or instead let it resound in long tones, only then the gradation-enhanced musical motif merged. The Rhudess keyboardist turned and tilted his keys in various ways so that he would always be in the areas reserved for solo instruments. The stoic calm bassist John Myung drew attention to himself as much as possible by throwing his long mane and especially agile fingers, which ran down the fingerboard of his bass neck, otherwise he always stood slightly out of the main events. However, he made up for that in the song “6:00”, in which he created with his namesake battle postsin which, at the sound of a keyboardist, the etude scales were crushed in unison.
© Tom Jajo Rozkovec / musicserver.cz
An inseparable figure of the band is and was, of course, the frontman that night, the singer James LaBrie, who encouraged the audience at every opportunity. He sang his part and quietly disappeared behind the scenes to return full of energy after singing. His voice seemed firm, although he sang some parts slightly differently than we know them from the studios. Needless to say, it didn’t hurt. The sung, slightly altered parts took on a slightly different dimension, and in the quiet passages it sounded more civil, without great manners, almost a recital. The setlist was also interesting. Apart from four songs, including the final twenty-minute composition, from the latest album “A View from the Top of the World”, only six more were heard, the shortest of which lasted about six minutes. The first peak came with “Bridge in the Sky”, in which, although Mike Mangini had a technical problem with the drums, he still played brilliantly, as did the whole concert. And it should be noted – like the whole band. The composition “About to Crash” sounded beautiful. It was one of two calming downs, but here it was part of a larger and longer whole. After “The Ministry of Lost Souls” went to the finals. This provided the de facto forty-minute double track of the title track from the last album and after a storm of applause and maybe just a minute’s respite from the grand finale in the form of “The Count of Tuscany”.
© Tom Jajo Rozkovec / musicserver.cz
The show’s own point of view is certainly worth mentioning. Yes, Dream Theater are not wild boars, in fact, it wouldn’t even suit their music. Their music is thoughtful, sometimes harrowing, soothing and smooth, and definitely not accessible to every ear. It takes a while to experience the intricacies of their places, but if you don’t give up, you are rewarded with a musical beauty full of melodies and a sense of gradation. This is how their show worked. Although the light of Rammstein and Tool cannot match the light, however, these musicians are completely different musically. For me that night, Dream Theater, although their playlist numbered only ten items, some even surprising, played probably its most accessible set. And even though the sound from the place where I watched the performance was uneven in places, fortunately it became clearer from the middle, I evaluate the concert very positively. I can only say that I have not seen a bad concert this year. And this one was excellent. Just keep going.
We would love to thank the author of this write-up for this outstanding material
LIVE: Dream Theater performed in Holešovice on their softer and more melodic note
In recent weeks there has been a lot of talk about the 21co Srldefined by us as the record label of Maria De Filippi and who sees driving Giordana Angi, Care, Mamo Giovenco e Emanuele Sample.
A label that aims, at least in this starting phase, to continue the recording path with the guys launched by the talent show Friends of Maria De Filippi with the same team that followed them in the school. This is to avoid, as has happened many times in the past, that the boys are “used” with the launch of a first disc and forgotten or set aside, in case of lower results, with the second. The cases are many from Einar a Blondda Carmen Ferreri and away going back through the years.
When we anticipated the news on the birth of the 21co Srl (READ HERE), we called it the record company of Maria De Filippi while for many sites it is the record label of two ex-boys of Amici, Care e Giordana Angi. We therefore wondered, to be fair, if it was right to call it the record label of Maria De Filippi. For this we went to consult public documents on the foundation of the 21co srl.
21co srl Maria’s record company?
The company was established in Rome on 10 May 2022 with 10,000 Euros of share capital. And these are the partners:
- 40% Charm – Production Gestione Teatro Srl
- 12% Bull Maximilian
- 12% Emanuela example
- 12% Angi Giordana
- 12% Bellegrandi Mattia
- 12% Costanzo Gabriele
Fascino Srl is the company founded by Maurizio Costanzo and then ceded to Maria De Filippi. And just a Maria it is traceable, since it is she who is the identifiable subject as beneficial owner for anti-money laundering purposes with a cumulative share of 20%.
For the 2019 anti-money laundering legislation, the beneficial owner is the natural person on behalf of whom a transaction is carried out and in the case of a legal entity, the natural persons who own or control that entity who are beneficiaries.
Source: Cerved
In practice, to be defined beneficial owner, you must be a member with a share greater than 25%. In this case the only shareholder who exceeds the threshold is Fascino Srl and, being a company, it is necessary to see who the shareholders are and so on up to the physical persons.
Maria Of Philippi is indicated as the holder with 20%. It therefore means that you are a 50% shareholder of Fascino Srl (50% of 40% is 20%).
These are the minimum entities to be identified as beneficial owners, or TIT in jargon.
Let’s continue with the analysis of the company’s Governance, that is the representatives, those who manage it and the directors.
The Chairman of the Board of Directors of 21co srl is Emanuela exampleformer competitor of the Big Brother second edition, for twenty years now at work alongside the De Filippi.
The others natural persons partners they are Directors and, in practice, they also hold operational positions. For instance Giordana Angi is A&R of the label. Massimiliano “Mom” Bullockfor those unfamiliar with him, he is the musical director of Amici. As a councilor he is also Gabriele Costanzowhich is the adopted son of Maurizio Costanzo e Maria De Filippi.
Currently the company is inactive, that is, it is not yet pursuing its corporate purpose which, briefly, is musical editions and activities connected and similar to the record business. It will also be able to carry out the activities of press office, promotion and management of artists.
Actually the company is about to release the discs of Luigi Strangis e Alexrespectively on 3 and 10 June, then he began to “work”.
We remind you that the above data are publicly available in the Chamber of Commerce on the date of extraction of the Dossier, therefore, on different dates, they may change. The update is not in real time.
What can we say about this company today. Little… except that Maria De Filippi he has no offices in the company, the administration of which has been entrusted to the other shareholders.
So it’s correct to call it the record label of Maria Of Philippi? Yes, for the legislation (anti-money laundering, in particular), yes.
We want to thank the author of this article for this incredible web content
21co Srl: all the details on the newly established company of Maria De Filippi
In recent weeks there has been a lot of talk about the 21co Srldefined by us as the record label of Maria De Filippi and who sees driving Giordana Angi, Care, Mamo Giovenco e Emanuele Sample.
A label that aims, at least in this starting phase, to continue the recording path with the guys launched by the talent show Friends of Maria De Filippi with the same team that followed them in the school. This is to avoid, as has happened many times in the past, that the boys are “used” with the launch of a first disc and forgotten or set aside, in case of lower results, with the second. The cases are many from Einar a Blondda Carmen Ferreri and away going back through the years.
When we anticipated the news on the birth of the 21co Srl (READ HERE), we called it the record company of Maria De Filippi while for many sites it is the record label of two ex-boys of Amici, Care e Giordana Angi. We therefore wondered, to be fair, if it was right to call it the record label of Maria De Filippi. For this we went to consult public documents on the foundation of the 21co srl.
21co srl Maria’s record company?
The company was established in Rome on 10 May 2022 with 10,000 Euros of share capital. And these are the partners:
- 40% Charm – Production Gestione Teatro Srl
- 12% Bull Maximilian
- 12% Emanuela example
- 12% Angi Giordana
- 12% Bellegrandi Mattia
- 12% Costanzo Gabriele
Fascino Srl is the company founded by Maurizio Costanzo and then ceded to Maria De Filippi. And just a Maria it is traceable, since it is she who is the identifiable subject as beneficial owner for anti-money laundering purposes with a cumulative share of 20%.
For the 2019 anti-money laundering legislation, the beneficial owner is the natural person on behalf of whom a transaction is carried out and in the case of a legal entity, the natural persons who own or control that entity who are beneficiaries.
Source: Cerved
In practice, to be defined beneficial owner, you must be a member with a share greater than 25%. In this case the only shareholder who exceeds the threshold is Fascino Srl and, being a company, it is necessary to see who the shareholders are and so on up to the physical persons.
Maria Of Philippi is indicated as the holder with 20%. It therefore means that you are a 50% shareholder of Fascino Srl (50% of 40% is 20%).
These are the minimum entities to be identified as beneficial owners, or TIT in jargon.
Let’s continue with the analysis of the company’s Governance, that is the representatives, those who manage it and the directors.
The Chairman of the Board of Directors of 21co srl is Emanuela exampleformer competitor of the Big Brother second edition, for twenty years now at work alongside the De Filippi.
The others natural persons partners they are Directors and, in practice, they also hold operational positions. For instance Giordana Angi is A&R of the label. Massimiliano “Mom” Bullockfor those unfamiliar with him, he is the musical director of Amici. As a councilor he is also Gabriele Costanzowhich is the adopted son of Maurizio Costanzo e Maria De Filippi.
Currently the company is inactive, that is, it is not yet pursuing its corporate purpose which, briefly, is musical editions and activities connected and similar to the record business. It will also be able to carry out the activities of press office, promotion and management of artists.
Actually the company is about to release the discs of Luigi Strangis e Alexrespectively on 3 and 10 June, then he began to “work”.
We remind you that the above data are publicly available in the Chamber of Commerce on the date of extraction of the Dossier, therefore, on different dates, they may change. The update is not in real time.
What can we say about this company today. Little… except that Maria De Filippi he has no offices in the company, the administration of which has been entrusted to the other shareholders.
So it’s correct to call it the record label of Maria Of Philippi? Yes, for the legislation (anti-money laundering, in particular), yes.
We want to thank the author of this article for this incredible web content
21co Srl: all the details on the newly established company of Maria De Filippi